Sunday, August 12, 2012

And The Way She's Steaming, Buddy, You Better Not Get In Her Way

Went out to the Ohio Valley to do some railfanning. Big steam in Pittsburgh this weekend. Norfolk Southern ran some employee appreciation specials with Nickel Plate Road 2-8-4 Berkshire, number 765, out of Conway Yard. 

Notes:
  • The first train filmed partially got by us. We had just decided on the filming location when headlights appeared westbound and I didn't have enough time to catch the head end.
  • Next is a local train. Our buddy Dangerous Dan tagged along and brought the banner for the model railroad club we belong to. We got a curious look and an extra honk of the horn from this engineer!
  • A few minutes before the second 765, an eastbound trailer train passed by at track speed, about 60 mph. The vortex knocked my camera over. Also, my batteries died just before the same shot, and I had to borrow some from another railfan. Thanks, dude.
  • The bridge shots are from Big Rock Park in New Brighton, on the Beaver River. Norfolk Southern reserved Track #1 for the excursions, and as a result, I got skunked on her return from Homewood Junction. She stayed on the far side of the bridge. 
  • In the shot of the merchandiser that crossed the bridge after 765 passed, you can see the CSX train from the next shot appearing in the lower right-hand corner as the tail end of the NS train passes. 
  • The second CSX train is interesting for two reasons: Union Pacific run-through power, and a load of 32 wind turbine blades.
  • The next shot of 765 was taken in the industrial park at Leetsdale, on an ancient iron bridge that the railfans overtook. We had to wave the cars through, there were so many of us.
  • The concluding shot almost didn't happen! I should have stuck by the camera, but was chatting with my friends and some other railfans by the red pickup at the end of the shot. When the train came around the corner I had to dash to the camera.
  • The unusual pan in the final shot is inspired by similar camera techniques observed in the films of noted and prolific railfan photographer and filmographer Emery Gulash. 

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